Win Friends & Influence People Through Music — Is It Possible?

May 18, 2012 By Leave a Comment

Win Friends & Influence People Through Music — Is It Possible?

The idea that studying music improves the social development of a child is not a new one, but at last there is incontrovertible evidence from a study conducted out of the University of Toronto.

The study, published in the August issue of Psychological Science was led by Dr. E. Glenn Schellenberg, and examined the effect of extra-curricular activities on the intellectual and social development of six-year-old children. A group of 144 children were recruited through an ad in a local newspaper and assigned randomly to one of four activities: piano lessons, voice lessons, drama lessons, or no lessons.

Two types of music lessons were offered in order to be able to generalize the results, while the groups receiving drama lessons or no lessons were considered control groups in order to test the effect of music lessons over other art lessons requiring similar skill sets and nothing at all. The activities were provided for one year.

The participating children were given IQ tests before and after the lessons. The results of this study revealed that increases in IQ from pre- to post-test were larger in the music groups than in the two others. Generally these increases occurred across IQ subtests, index scores, and academic achievement.

While music teachers across the country greeted the new research enthusiastically, in fact, many other studies have previously shown a correlation between music study and academic achievement.

In 1997, well known music researchers Frances Rauscher, Gordon Shaw and their team at the University of California (Irvine) reported that music training is far superior to computer instruction in dramatically enhancing children’s abstract reasoning skills, the skills necessary for learning math and science. A group led by the same two scientists had earlier showed that after eight months of piano lessons, preschoolers showed a 46 percent boost in their spatial reasoning IQ.

The March 1999 issue of Neurological Research published a report by another group of researchers, also at the University of California (Irvine), who found that second-grade students given four months of piano keyboard training, as well as time playing newly designed computer software, scored 27% higher on proportional math and fractions tests than other children.

Students with coursework and experience in music performance and music appreciation scored higher on the SAT, according to a Profile of Program Test Takers released by the Princeton, NJ, College Entrance Examination Board in 2001. This report stated that students in music performance scored 57 points higher on the verbal and 41 points higher on the math, and students in music appreciation scored 63 points higher on verbal and 44 points higher on the math, than did students with no arts participation.

Another part of this same study shows that longer music study means higher SAT scores. For example, students participating in the arts for two years averaged 29 points higher on the verbal portion and 18 points higher on the math portion of the SAT than students with no coursework or experience in the arts. Students with four or more years in the arts scored 57 points higher and 39 points higher on the verbal and math portions respectively than students with no arts coursework.

Another study also found support for a relationship between math achievement and participation in instrumental music instruction. The researchers found that students who participated in instrumental music instruction in high school took on the average 2.9 more advanced math courses then did students who did not participate.

In fact, various studies over the last 10 years suggest teaching kids music can heighten their aptitude for math, reading, and engineering. (One explanation for improved ability in mathematics is that music theory is based on mathematical truths. Rhythms are divided into fractions – half notes, quarter notes and eighth notes. Scales have eight tones, and the steps between them follow an equation.)

A McGill University study in 1998 found that pattern recognition and mental representation scores improved significantly for students given piano instruction over a three-year period. The researchers also found that self-esteem and musical skills measures improved for the students given piano instruction.

And data from the National Education Longitudinal Study of 1988 revealed music participants received more academic honors and awards than non-music students, and that the percentage of music participants receiving As, As/Bs, and Bs was higher than the percentage of non- participants receiving those grades.

In 1994, a report entitled “The Case For Music Study In Schools” was printed in Phi Delta Kappan, the professional print journal for education. It included details of research conducted by physician and biologist Lewis Thomas, who studied the undergraduate majors of medical school applicants. Thomas found that 66 percent of music majors who applied to medical school were admitted, the highest percentage of any group.

The same report asserted that the very best engineers and technical designers in the Silicon Valley industry were, almost without exception, practicing musicians.

The world’s top academic countries also place a high value on music education. In a study of the ability of fourteen year-old science students in seventeen countries, the top three countries were Hungary, the Netherlands, and Japan. All three include music throughout the curriculum from kindergarten through high school.

St. Augustine Bronx elementary school, about to fail in 1984, implemented an intensive music program, and today 90 percent of the school’s students are reading at or above grade level. And a ten-year study at UCLA tracked more than 25,000 students, and showed that music making improves test scores. Regardless of socio-economic background, music-making students get higher marks in standardized tests than those who had no music involvement. The test scores studied were not only standardized tests, such as the SAT, but also in reading proficiency exams.

Music training helps under-achievers as well, according to research published in Nature magazine in May 1996. In Rhode Island, researchers studied eight public school first grade classes. Half of the classes became “test arts” groups, receiving ongoing music and visual arts training. In kindergarten, this group had lagged behind in scholastic performance. After seven months, the students were given a standardized test. The “test arts” group had caught up to their fellow students in reading and surpassed their classmates in math by 22 percent. In the second year of the project, the arts students widened this margin even further. Students were also evaluated on attitude and behavior. Classroom teachers noted improvement in these areas also.

In 2005, it appears the pace of scientific research into music making has never been greater. The most recent evidence from the University of Toronto confirms what many other researchers have already detected – that music boosts brainpower, academic achievement,socialization skills, and emotional health.

It’s logical, when you think about it. People who learn to play an instruments are in groups — bands, choirs, orchestras, combos, worship teams, etc. And working and making music with others is bound to help relateabilty with people and foster close bonds with fellow musicians.

So it appears that learning to play music, whether guitar, piano, or some other instrument, actually does contribute to your ability to “win friends and influence people.”

Win Friends & Influence People Through Music — Is It Possible?

Win Friends & Influence People Through Music -- Is It Possible?

Duane Shinn is the author of over 500 music books and products such as DVD’s, CD’s, musical games for kids, chord charts, musical software, and piano lesson instructional courses for adults. He holds an advanced degree from Southern Oregon University and was the founder of Piano University in Southern Oregon. He can be reached at http://www.pianolessonsbyvideo.com He is the author of the popular free 101-week e-mail newsletter titled “Amazing Secrets Of Piano Chords & Sizzling Chord Progressions” with over 55,000 current subscribers. Those interested may obtain a free two-year subscription by going to http://www.playpiano.com/

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Music and Jewelry Boxes

May 16, 2012 By Leave a Comment

Music and Jewelry Boxes

A jewelry box can be more than just a piece of storage box for your jewelries. It can also be a music box at the same time. Music boxes were common gift items so many years ago. They are very much amusing to look at and they somehow convey the message of being special.

Music boxes with spaces for keeping jewelries are definitely worth buying. While parking your jewelries in their rightful places, you will be calmed down by the lovely music that will play from the box when you open it. This type of jewelry keeper never goes out of style. They became popular centuries ago and that popularity was preserved especially now that new designs of music and jewelry boxes came out in the market.

Many known people and royalties have owned music and jewelry boxes, which they were able to pass on to the next generation. Since most of them have elegant appearances, their owners really preserved them and treated them like little treasures.

Most people who love collecting jewelries also love to collect jewelry boxes. If ever you are a jewelry box collector yourself, it will be really nice to add a unique and lovely piece to your collection; and that is a musical jewelry box. If you have a more modern taste, there are contemporary designs available in various gift shops and for sure, something in them has the flavor that you are looking for.

If you think that the designs you saw in shops are limited, try to make a search via the net and online shopping networks surely have a vast array of designs to show you. You can simply pick up what you like and place them on the shopping cart and expect to receive them in a matter of days.

Music and Jewelry Boxes

Music and Jewelry Boxes

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Learning Music Online

May 16, 2012 By Leave a Comment

Learning Music Online

With online media in full force, we have a surge of instructional material available at the click of a mouse.

Music instruction is no exception, and there are lots of benefits to choosing an online or digital download option. Singing, guitar, piano, drums – you name it, there’s an online course for it; many of which include video and audio.

Some of the big advantages of online/digital instruction:

* It’s cost effective – for less than the cost of a month’s worth a private lessons, you can have over a year’s worth of targeted instruction

* It’s time saving – we’re all very busy these days and it helps when you can learn and practice on your own time

* Bonuses – there are a lot of great programs out there that are jam packed with learning software to help teach you music theory and ear training along with the technique of the chosen instrument

* Instant Access – there are so many programs that offer you instant access to materials that you download to your computer, which gives you the benefit of learning right away

While online instruction is an incredible learning tool, be honest with yourself. Keep in mind you won’t have a physical instructor to give you real time feedback. Whether you choose an online instruction method or a physical teacher, there are two important things you must consider:

* The instructor or instruction method should be quality

* You must hold yourself accountable to practice

One little side note to keep in mind; online programs may have a lot of printable materials for instruction and playing. This means you need to either be willing to print a lot, or read and practice directly from your computer. It’s still cheaper than buying books.

Learning Music Online

Learning Music Online

Bret Piontek is an author and owner of “MusicTyro.com”, an online community of music learners and creators. MusicTyro provides articles and resources for music instruction, software, songwriting, and artist development. Visit us today at MusicTyro.com – Make Music Today

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5 Unused Ways To Get in the Music Industry

May 16, 2012 By Leave a Comment

5 Unused Ways To Get in the Music Industry

Most newcomers will soon discover that making a successful career in the entertainment industry is a hard market to break into more so than any other market..It’s definitely not as easy to get into as working at McDonalds or processing insurance claims at Geico While this creates problems for most newcomers who spend their days and nights pouring their soul into their most finest masterpiece; the music industry’s “not-everyone-is-worthy policy” is largely a reason why the music industry is so successful- earning 40 billion annually.

History has always been a part of understanding and predicting new trends. In order to fully discover new ways to get in the music industry, it’s a great benefit to understand some of the history of the music industry.

Music has been around before most people living today were born. Before the rise of sound recordings, then known as phonographs, the sheet music publishers were the almighty force in the musicsphere, before it was dubbed the music industry. Today more than half of U.S. homes are wired with a high-speed pipeline to the net and seventy-five percent of Americans use the Internet for an average of three hours a day. This makes

easier access to information and new technologies which create new markets and opportunities for songwriters, singers, and producers to get their music heard.

The main components that make up the recording industry are the Record Labels, Publishing Companies, Licensing Companies, Artists, and Fans. Knowing fully how these components works together makes it easier to find new ways to enter the music scene. These different companies also have similar departments with leaders who know more than a few major contacts at any targeted major record label.

In addition to being separate entities, these companies are all connected at the level of being in the music industry. Most people will recommend internships and slowly climb the ladder from bottom until you’re able to reach the top. But that’s usually not good enough for those artists who have put everything into their music, lost or quit their job, and are clearly willing to work and have the music that deserves to be heard. So how do you use the different components to get into the music industry?

The answer invariably is research, plan, build, test, market, promote, prove it; rinse and repeat. You do not need to have infinite resources to get the attention of industry insiders if you are interested in you are willing to work hard at being different but following trends. There are 5 different approaches to consider if you are interested in getting in the music industry.

o Work as an intern (even unpaid) for at least 6months to a year at a record label to develop relationships

o Write and market songs to already established recording artists and bands and use that leverage to new opportunities

o Push your songs to major music publishers to sign a publishing deal.

o Build a presence at all the major industry functions and events

o Develop your song catalog to license film/tv music

At first glance these seem a bit bleak, but you you should be able to get in the music industry, so long as your music is qualified in terms of being unique, interesting, and sellable.

5 Unused Ways To Get in the Music Industry

5 Unused Ways To Get in the Music Industry

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Country Music – The Soulful Rhythms

May 12, 2012 By Leave a Comment

Country Music – The Soulful Rhythms

No matter what your preferences are, no matter what kind of disposition you have- you simply cannot refrain yourself from being mesmerized and enticed by music. Since its inception, music has been the most loved source of entertainment and people with different tastes and likings admire several kinds of music. It has different kinds and forms. Across the world different kinds of music has evolved with the emergence of distinctive civilizations and the characteristic nature of the people in different countries etc. The influence of music can be felt in every corner of the world. Various genre of music like rock, pop, classical, jazz etc have been immensely applauded by the people.

Country Music is also well accepted and admired by the music listeners across the globe. This highly melodious and mellifluous form of music is awesomely pure and subtle. Unlike the conventional pop and metal music, this genre is known for its flawless and soft rhythms that are soothing to the ears and pleasant to the soul. Many popular artists have given amazing performances and great albums that have remarkable influences from this music. These albums have achieved admirable success and recognition from the listeners.

Country music is a remarkably enticing genre of music that focuses on the melodies and the rhythms. It is identified by its immensely mellifluous tones and upbeat numbers. It is a blend of various distinctive music forms from across the world and mainly has influences from the music that was originated in the southern parts of the United States and the region of Appalachian Mountains. Around 1920, this category rapidly evolved and gained popularity among the masses. This kind of music has its roots in the various traditional and classical types like folk music, old times music, Celtic music, gospel and the blues. In the southern United States the various ethnic groups created music of different styles and the combination of all these styles emerged as the Western Music that comprises a major part of the country and western music.

There have been a number of artists and performers who have gained immense popularity with this genre of music. Elvis Presley, who was earlier known as The Hillbilly Cat was one of the biggest pop icons in the history of music. He won recognition through his immensely admirable country music performances. He was featured on the radio program Louisiana Hayride where he used to give amazing performances based on this music. Similarly Garth Brooke is one of the most appreciated Country Music artist whose albums were chart toppers. He made short debut in other genres too. This genre saw its greatest high in the year 2006 when the country albums sales increased by the 17.7 percent to a whopping 36 millions.

The country pop has its roots in the soft rock and the country-politan which emerged as a sub genre of this music in the 1970′s. It was well accepted by the wide variety of audiences during the same decade. The singers like John Denver, Glen Campbell and Anne Murray were some of the most admired artists of this genre. “RhineStone Cowboy” by Campbell is amongst the best and biggest crossover music hits. The songs in this music CD are still hummed by the teenagers and youngsters. Olivia Newton John is considered as the best female country vocal performer.

Outlaw country revolutionized this genre of music completely with the derived Honky Tonk sounds of late 1950′s. After 1935, the Western Swing Big Band leader Bob Willis used drums as the major instrument in his band Texas Playboy. The drums were readily used by the country musicians and the rockabilly groups till 1955. Later, they became significant in the country bands also. The electric guitar was used in the bands that were originated in the beginning of 1938. Arthur Smith achieved immense success with the Guitar Boogie a MGM records album that declared the beginning of guitar as the most influential instrument in the country band.

Country Music – The Soulful Rhythms

Country Music - The Soulful Rhythms

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Baby Boomers And Music – Reasons They Never Forget Rock And Roll

May 12, 2012 By Leave a Comment

Baby Boomers And Music – Reasons They Never Forget Rock And Roll

When the music gets too loud there is a problem for baby boomers. Baby boomers were part of a generation in music that defined so much of what is heard now. There are covers done by bands and rappers that borrow hooks from songs from the 60s and 70s. Baby boomers don?t need to cover their ears when they hear the music of today, but embrace what their generation did for modern music.

When baby boomers were growing up, music was an important part of society. Icons were first taking form such as The Beatles or The Rolling Stones. Music was about life and changes. Music had meaning and reached into the heart and soul of the baby boomers. Not much has changed in that respect. Baby boomer musicians are still creating songs about getting older. However, the music still stays the same. Baby boomers can rock out and enjoy the music now just as they did when they were younger.

The rock and roll lifestyle wasn’t always glitz and glam. The 60s saw the demise of several rock icons. Janis Joplin, Jimi Hendrix and Freddie Mercury all succumbed to the lifestyle. There deaths were just as much as a part of the culture as any other thing that happened in that time. They went too far and took the rock and roll culture to a further point. Their music is still celebrated and looked upon as unique, trendy and still remains current to this day.

Baby boomers learned how to move on because it doesn’t pay to wallow in sadness. Musicians from that time are still making music. The Rolling Stones recently went on a tour that was one of the most successful in the country. They made money while young and old rocked out to their music. Music of the baby boomer generation transcends different cultures. Take at look at Aerosmith or Bob Seger. These are all musicians that maintained over the years and continue to rock even into their later years. Just because you?re old doesn’t mean you aren’t allowed to have fun. Baby boomers will argue they deserve it most because they have created a culture that won?t soon be forgotten.

Rock and roll isn’t just about the music though. Rock and roll is about an attitude. It?s a way of life. A life the baby boomers exemplify. They live life to the fullest, doing everything they can and never getting cheated. However, the ones that took this attitude too far are the ones that suffered. If you look at baby boomers and all they have done in life, you see this attitude. They have worked in the best jobs, enjoyed life by going on great vacations and have bought the best things life has to offer.

Rock and roll is about not selling out. That is why rockers have great contempt for anyone they have deemed a sell out. This doesn’t change with age. Baby boomers still aim to have fun even though their lives have gotten busier and they have more responsibilities. The more work they have to do just means a bigger reward in the end.

For baby boomers who have forgotten that lifestyle, there is still time to get it back. Throw on an old record or put on the classic rock station. You can even check out your grandson?s collection. There might be a band that reminds you of your youth. You will be able to listen to the bands and be reminded of the days that once were. Remember rock and roll is here to stay. You can always be a part of it.

Baby Boomers And Music – Reasons They Never Forget Rock And Roll

Baby Boomers And Music - Reasons They Never Forget Rock And Roll

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5 Things You Need to Know About Submitting Music to Program Directors in Commercial Radio Stations

May 11, 2012 By Leave a Comment

5 Things You Need to Know About Submitting Music to Program Directors in Commercial Radio Stations

If you are like many up-and-coming independent musicians, artists, groups, or record labels, you are thinking that if you can “just get your music in front of a DJ they will want to play it on the radio.” Sure, you may find a DJ that is willing to give your music a spin or two on a local radio show, but this is not the same as regular rotation “adds” and it does not lead to rotation from other radio stations around the world. DJs do not have the power to “add” a song into a radio stations regular rotation playlist. In fact, at many radio stations across the country, a DJ can and will be removed from the air for playing a single song that was not approved and placed into regular rotation by the radio station’s Program Director.

Program Directors control a radio station’s regular rotation playlist. In some larger markets a Program Director will have an assistant that carries the title of Music Director, but even in these radio stations the Program Director has the final say of what songs get added to the radio station’s playlist. This is not to say that building relationships with local DJs is not a good thing. It is. Relationships with DJs can be developed to help persuade a radio station’s Program Director to give your song a listen and possible “add” to the stations playlist. However, the best way to get your music added to a radio station’s regular rotation playlist is to understand the basic principles of how to submit your songs to Program Directors.

The following 5 facts about submitting your music to Program Directors will help you understand how and why songs are added to regular rotation playlists at radio stations, how to make your music stand out and get listened to by Program Directors, what it takes to get “adds” in regular rotation, and how to ensure your music stays in regular rotation for the life of the single.

1. Commercial radio Stations are not in the business of playing music.

The biggest misconception surrounding a commercial radio station is that playing music is the highest priority, or business model, in which it operates under. Commercial radio stations are not, have never been, and will continue to never be in the business of playing music. Radio stations are in the business of selling time to advertisers to place thirty or sixty second commercials so listeners will buy products or services. Radio stations attract listeners by playing music. Program Directors are hired to select and add songs to the station’s regular rotation playlist that will attract the most listeners in order for the station to charge a higher price to it’s advertisers to buy time.

An unknown, up-and-coming, artist or group does not attract a large listener base to a radio station. This means advertisers are getting less “bang for their buck” when their commercials air next to your song as apposed to their commercials airing next to a top twenty artist that has mass listener appeal. Therefore, you must create a large local following before contacting Program Directors trying to get a song “added” to a radio station’s regular rotation playlist.

2. Program Directors get hundreds of songs per week to choose from.

Once you or your group become “local favorites,” you have to understand that you are still competing against the entire world. Program Directors receive hundreds of CDs each week for review and possible consideration for regular rotation playlist “adds.” When Program Directors listen to new music and start to decide what songs will be “added” to the radio station’s playlist they will consider several factors including; staying power – does this artist or group have the ability to release another single listeners will want to hear, marketability – does this artist or group have the ability to continue it’s marketing reach and gain new fans that may have never heard of them before, and mass audience appeal – Does this group simply have a lot of fans because they have a great live show or do they possess the ability to grab mass listener appeal on the song alone. Your job as an unknown, up-and-coming, artist or group is to stand out among the hundreds of other songs a Program Director must choose from weekly. This is accomplished before sending your CD to the radio station. You must answer these questions in your other marketing efforts so that when a Program Director researches you or your group he/she is not left with any questions about your ability to appeal to the radio station’s listener base.

3. There are certain days and times radio station Program Directors take calls about new music.

Contacting a Program Director is hard. Many up-and-coming artists and groups would say it is impossible. It is not. However, if you are not attempting to contact Program Directors at the right time, you will never get a hold of them. Program Directors set aside certain days and times for “new music calls.” On these designated days and times a Program Director may receive over a hundred calls from radio promotional agents, record labels, and artists. The key to effectively getting a Program Director on the phone is persistence. You cannot call one time and say you tried. You must continue calling until you get an answer. If at the end of the scheduled time you still do not get a Program Director on the phone leave a detailed message about who you are, what you are wanting, and how to contact you. Unknown artists or groups will most likely not get a call back. However, your name is in the Program Directors ear. This will lead to them looking for your CD and taking the time to listen. Maybe not on the first call, but persistence does pay off. There are two ways to obtain a Programs Directors music call day and time. First, visit the radio stations website and look for the contact page. In many cases the Program Director will post when, where, how, and what time to contact them with new music. If you do not find the information you are looking for the next best thing is to call the station. Do not ask for the Program Director. Simply ask the receptionist for the Program Directors call day and time.

4. There are only so many songs that can be played in a 24 hour period on commercial radio stations.

If you consider that radio stations are in the business of selling time to advertisers you have to also consider that means there is only so many songs a radio station can play in a day. Program Directors will fill the majority of available “music” time slots with established artists that already have mass listener appeal. This leaves a very limited amount of time for unknown, up-and-coming, artists or groups. Considering that radio stations want to appeal to the largest listener base you see why Program Directors will only “add” a song or two per week to the radio station’s regular rotation playlist from unknown artists. This is why persistence is of the utmost importance when trying to get your music “added” to a radio stations regular rotation playlist. As mentioned before, you have show a Program Director you have “staying power.” Make sure you present your persistence in a professional manor verses a “nagging,” bothersome way. Program Directors will respond to persistence. It may not be when you want it be, but they do and will start to research who you are to see if you are worthy of a regular rotation “add.”

5. Once you get a song “added” to a radio station’s regular rotation playlist you must continue building relationships with Program Directors.

Once you are lucky enough to get your music “added” to a radio station’s regular rotation playlist by a Program Director your job is not done. Many up-and-coming artists and groups disappear from the “minds” of Program Directors once they get “added” to a stations playlist. This is not wise. Remember, you can and will be dropped from the playlist if you are not persistent. As mentioned earlier, Program Directors want to know you have the ability to continue marketing and promoting your music to gain mass listener appeal. The best way to show them that you are working toward that goal is to keep your name in their “mind.” You do this by calling them each week, only during their scheduled “music call” day and time, to build your relationship with them. Inform the Program Director of you or your groups activities, ask how the song is doing, or how many requests it is getting from station listeners. Your job when contacting a Program Director after your song has been “added” to a radio station’s regular rotation is build strong and lasting relationships that show you are working toward gaining fans from the station’s listener base.

Conclusion

Submitting your music to radio station Program Directors is tough, but doable. You have to be persistent, professional, and ready to show them that you can create “fans” from the radio station’s listener base. Knowing how a radio station operates, how to approach a Program Director, and what matters most to a radio station is 90% of the battle. Once you get your “foot in the door” you will see that more doors begin to open, a lot easier, and Program Directors do really enjoy meeting new artists. Be sure to build lasting relationships with Program Directors by forming a bound that is built on trust and follow through. Program Directors do talk to one another and a recommendation from one to the another will get your music “added” to playlists across the country faster than anything you could possibly do on your own. However, you must remember it works both ways. You have to always be on to of your game, create buzz, and maintain a professional attitude when dealing with or talking to Program Directors! 

5 Things You Need to Know About Submitting Music to Program Directors in Commercial Radio Stations

5 Things You Need to Know About Submitting Music to Program Directors in Commercial Radio Stations

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“Love the Music in Yourself, Not Yourself in the Music.”

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Art and Design Spotlight – Music

May 6, 2012 By Leave a Comment

Art and Design Spotlight – Music

Earning a degree in art and design can be real adventure and fun for someone like you who always admires being creative and want to make a decent earning. The degree in art and design can be filled with a lot of fun, but at the same time it demands proper knowledge and effective career training as well. Since, today the degree is counted among advanced degrees, it let students to do specialization in different areas of art and design, such as media, fashion, or illustration. Adding to this, typical coursework may differ based upon the area of specialization.

Though, courses in textile design or drawing are common in art and design, but in recent times music has emerged as yet another creative career option in art and design. The art and design programs in music offer curriculum that mainly focus on music composition, history, theory and performance. These days there are many universities in the United States that offer art and design programs in music and encourage students to have better knowledge of an instrument in addition to classroom studies. While on-campus art and design degree programs in music generally take four years to complete, there are some online degree programs that mark a total different structure and allow students to be graduate in less than four years.

Job Opportunities and Career Option

Today music can actually be broadly defined as one of the main branches of the art and design industry. There is a list of career options that you can choose after you complete a degree in art and design with specialization in music. By completing an art and design degree in music, you can make a career as a professional performer, conductor or even composer. Adding to this, you can also be a Composer/Song Writer, Music Publisher, Disc Jockeys/ Video Jockeys, Music Journalist, Music Therapist, Artist Manager/PR and so on.

Apart from this, the best part of an art and design degree in music program is it includes different courses in musicology, music theory, and performance psychology, which in turn can help you make career as a musicologist and work in Music channels, Music research organisations or as a music critic or correspondents and perform duties in newspapers or magazines. These days, the trend of DJ (Disc Jockey), RJ (Radio Jockeys) and VJ (Video Jockeys) is at peak, which in turn offer may offer another section of jobs to music lovers.

Educational Requirements

Music is one of the creative fields of art and design industry and demands great professionalism and skills. The skills cannot be learned within a day and requires a great amount of training. Today there are many schools and universities offering art and design programs in music. These art and design program in music can help more about music theory and music composition in different music genres. The major advantage of this program is it offer specialized music education, which actually combines theoretical musical instruction along with student teaching.

Once you complete the program, you learn how and why music is made. Apart from all this, the program also let you learn the history of musical instruments and know more about how the history has shaped the creativity and sound of music. Creativity and musical studies are the importance of this program that in turn can help you enrich your skills.

Although, this creative field does not lack job opportunities and gives plenty of options to choose from making a decision on a particular stream should always be done properly. It does not matter whichever field you select, if you wish to dedicatedly make an occupation in music, you need to be get efficiently trained. A well defined professional training will aid you make your presence in this extremely competitive art and design industry.

Art and Design Spotlight – Music

Art and Design Spotlight - Music

Are you looking for a best art & design degree programs in Music? Browse ArtandDesigndegreesU.com online resource offers information about various art & design schools, art & design course, art & Design University and many more art & design degree programs offered by top art universities.

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Are You Still Struggling to Find Music Industry Jobs?

May 3, 2012 By Leave a Comment

Are You Still Struggling to Find Music Industry Jobs?

Are you in the music industry and you are finding your future in this business less and less secure? Have you put your CV out there but you are getting very little interest? Do you have a wealth of experience but you are seeing the industry constrict and tighten with each month? Dealing with reduced budgets, more competition, the fear of illegal downloads, downsizing and redundancies makes your music career a very stressful place to be.

Some will forge ahead and make their place in the elite of this business but there will be many who will have to completely rethink where the future lies.

The music industry has changed forever and there is no going back to the halcyon days of unlimited promotional budgets, overseas junkets or big bonuses.

I would like to offer a solution to your difficulties but first I will tell you my story.

My name is Mike Morgan and I fell into the industry at a young age as a musician and passionate music fan. I worked in music retail jobs and found that I did it well. I worked my way up to management and was given responsibility for marketing albums, buying and assisting other managers. I worked for a couple of major chains and after a trip to New York and the inspiration I took from the record stores there I was approached to be a partner in a new boutique music store. The store was fantastic and covered most of the music styles I was really passionate about.

But it wasn’t making money.

For a few years we persevered but in the end it wasn’t creating the lifestyle we had hoped for. After a protracted period of stress and animosity I was out of there and wondering what to do next.

Nice timing!

I approached wholesale music companies, retail outlets and even radio stations but they weren’t interested. They were all going through a stage where they were using natural attrition to reduce their own costs.

So I opted to do a fairly menial job that got me outdoors and meant that I could work physically for a change without the 7 day retail hours. I enjoyed the change but it didn’t really challenge me in anything other than a physical way. Anyway it turned out that this job was also going to be on the chopping block very soon as new technology would be replacing the contractors.

What would I do now?

I know a hell of a lot about music. I can name most of the albums by all of the greats of jazz, soul, reggae, rock and so on but who needs that?

So I tried again to get a music job and applied for yet more jobs in music retail without any success.

Then I found my answer.

And it was nothing I had even considered before. I discovered the incredible world of the internet and how the online marketing business had not been affected by the recession or by the digital technology that had ravaged the music industry. In fact the advances in the internet world meant that the market was exploding globally.

Here was something that was growing at an incredible rate and that needed as many motivated, creative and passionate people that you could find. And best of all you only need to be yourself and to interact with people from all over the world.

How good is that?

You get to work from your own home. All you need is a laptop and a phone and you can create a lifestyle that most can only dream about. You get to spend that most important time seeing your family grow and they know who you are! You spend time on the things that you love when you want to. You have more time for friends, family, pursuits or whatever you decide.

This really is an amazing alternative to desperately trying to hold on in an industry that will never be the same again.

I am very grateful that I found a company that embodies all of my beliefs and aims and that I look forward to every single day. There are a million opportunities in the internet marketing world but be careful to find the right one. I spent months researching all of the opportunities I could before deciding on the one I use.

Are You Still Struggling to Find Music Industry Jobs?

Are You Still Struggling to Find Music Industry Jobs?

Mike Morgan is a successful online marketer with a background in the music industry. His passion is helping new people to benefit from the incredible growth of the internet by coaching and mentoring those who choose to join this global industry. Check out the powerful marketing system Mike uses and meet one of his mentors at http://www.roadmapforwealth.com?t=ezin

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Free or Fee? What is Music Worth?

May 2, 2012 By Leave a Comment

Free or Fee? What is Music Worth?

We are much more reliant today than ever before on technology and the many contributions it makes to our lives every second. Perhaps most notable is the many options technology has given to the Internet and the world of entertainment, making many artistic projects and productions, from digital music albums to e-books to short and long films and television programs available to a larger audience of people.

Steadily children that grew up with the Internet and don’t remember a time without it are reaching adulthood, and attitudes about both the monetary value of artists’ works available online and the cultural value of these works are changing. This revolution began with the introduction of CD’s, which became easy to copy and distribute to friends.

There are certainly varying opinions about the worth of downloadable music and purchased music in general; while a younger generation of music lovers is certainly divided on whether music downloaded online should be free music, there are definitely more in that generation deciding that perhaps people should be more freely allowed. When it is so much easier to copy mp3′s online and from friends, and also easier to record entire albums in the studio with full digital capabilities, many young music listeners wonder, is a musician’s work and the musician him/herself really worth as much as at the dawn of the recording industry?

Many studies have shown that adults that remember a time when recorded music was expensive and more difficult to obtain are much more cognizant and respectful of basic music Copyright Law. They understand why certain laws are in place, and some that are artists themselves have relied on Copyright Law to protect their creative expressions. Copyright Law also allows music and other art forms to perpetuate in the world, and is the reason there is so much variety available.

The music industry has been cracking down on how people get their music recently in response to the increased availability of downloadable music and digital music on the Internet. The music industry was largely unprepared for the sudden introduction of file sharing programs to music lovers, and it has taken several years for them to realize their impact on musicians, songwriters, other music professionals and record companies. Before the Internet, most young people bought CD’s, and shared them by simply burning a copy for friends. While this was certainly a violation of Copyright Law, it somehow did not pose as large of a problem as when mp3 players became available and people downloaded free music off the Internet en mass through high-speed connections. The music industry has recently started filing lawsuit after lawsuit to stop this phenomenon and put systems in place to make music lovers pay for downloadable music. As was evidenced in recent lawsuits that were filed against those in small towns in middle America, you do not have to be high profile to suffer consequences for violating the law when it comes to digital music.

The industry has been driving hard to try to get the public to recognize that not paying for music takes money away from artists and musicians that they deserve for their hard work. While music is a source of entertainment and a cultural commodity for most, for those involved in creating it, it is a job that they rely on to make lives for themselves. Like any other professional, musicians can’t be expected to do their work for free. While the amount some receive is certainly debatable, what is not debatable is that they should receive something. The latest drive to enforce Copyright Law by the music industry is causing a stir among young people. New anti-piracy software is now being put on CD’s to cut down on illegal CD copying. The software prevents listeners from burning the CD more than five times.

Teens especially are noting that this will not stop others from discovering new ways to get music. Many adults agree that someone is bound to come up with a way around the software, as technology always seems to find a way to surmount obstacles that prevent free sharing of music, DVD’s and other media.

Many teens note that there is an obvious and simple way around the anti-piracy software; all a person has to do is make a copy of the CD once and then use the copy to make more copies. Those invested in the downloadable music and digital music craze feel the anti-piracy software is really just a way to slow down some of the most avid copiers while the industry thinks of a more permanent solution.

Other teens support these new attempts to prevent people from getting music for free. They feel that music is a valuable part of everyone’s lives that touches so many aspects that certainly free music or even cheap music should not even be an option. They fully understand why musicians deserve to be paid for the privilege of owning and listening to their music over and over again.

So what are some alternatives to illegally downloading digital music or free music?

There are many services that provide low-cost and virtually free music for professionals and individuals simply hoping to expand their music collection. For those still entrenched in the CD movement, there are some subscription services in development that will allow people to freely share unlimited CD’s through the mail at very low cost and without violating Copyright Law.

As more services for downloadable music and digital music arrive on the scene and make a more competitive market, track downloads and album downloads are becoming cheaper. Even iTunes offers songs as 99 cents apiece, and entire albums at cut rates, so even young people can afford to buy music legally to enjoy.

As an alternative to digital music provided by major music providers, reputable royalty free music companies are bringing original tracks of music plus many high quality royalty free music versions of some favorite classical pieces to listeners at affordable prices and sometimes even free. Royalty free music companies such as Royalty Free Music.com offer huge and very comprehensive downloadable music libraries with collections from every genre from classical and jazz to rock, techno, dance and Hip Hop. And with royalty free music, you pay to satisfy Copyright Law upfront so you don’t have to worry later about any additional fees. Many royalty free music companies even offer totally free music that is of excellent quality and different from anything else available.

The point with digital music is that listeners will continue to try to find ways to get free or cheap music; at this stage of technology, finding loopholes and ways that allow for freer sharing of information is just human nature.

Free or Fee? What is Music Worth?

Free or Fee? What is Music Worth?

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